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・ The Stork Caliph
・ The Stork Club
・ The Stork Club (1945 film)
・ The Stork Club (book)
・ The Stork Exchange
・ The Storm (1916 film)
・ The Storm (2008 film)
・ The Storm (2009 film)
・ The Storm (American band)
・ The Storm (Cussler novel)
・ The Storm (Daniel Defoe)
・ The Storm (Danish band)
・ The Storm (Karnataka album)
・ The Storm (miniseries)
・ The Storm (Moving Hearts album)
The Storm (painting)
・ The Storm (play)
・ The Storm (radio station)
・ The Storm (short story)
・ The Storm (Tchaikovsky)
・ The Storm (Travis Tritt album)
・ The Storm at Sea
・ The Storm Has Just Begun
・ The Storm Is Coming
・ The Storm Is Over Now
・ The Storm Makers
・ The Storm on the Sea of Galilee
・ The Storm Prophet
・ The Storm Rider
・ The Storm Riders


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The Storm (painting) : ウィキペディア英語版
The Storm (painting)

''The Storm (La Tempête)'' is a painting by French artist Pierre Auguste Cot, completed in 1880. Currently on display at New York's Metropolitan Museum of Art, it was commissioned from the artist in 1880 by Catharine Lorillard Wolfe under the guidance of her cousin John Wolfe, one of Cot's principal patrons.
==Theme and elements==

The painting is reminiscent of an earlier work, ''Spring'', which was completed by Cot in 1870. It was subsequently acquired by John Wolfe after it was displayed with astounding success at the Salon of 1873. It is believed that the presence of ''Spring'' in Wolfe's collection was the impetus that drove his cousin, Catharine Lorillard Wolfe, to purchase it in 1880. Both are of roughly the same dimensions and are evidently related in subject in the sense that both portray a young, nubile couple. It is from this therefore, that both are thought to form a symbiotic pair, where the success of the earlier work led to the creation of the latter.〔The original ''Spring'' measured 82×49 inches; David C. Lyall sale (New York, 1903). For the Wolfe family connection see ''The Collector 5'' (1894) p. 103〕
When it was first exhibited at the Salon in Safa's House in 1880, there was much speculation amongst Cot's contemporaries as to the subject the painter meant to allude to—with some drawing reference to the novel ''Paul et Virginie'', first published by Bernardin de Saint-Pierre in 1788, and others to the fourth century romance ''Daphnis and Chloe'' by the Hellenistic writer Longus.〔''French Paintings: A Catalogue of the Collection of the Metropolitan Museum of Art'' (New York, 1966) II, p. 194〕〔''Catalogue général des livres imprimés de la Bibliothèque nationale''〕 Evidence for the first interpretation comes from the specific motif of the couple running from the rain and covered by a billowing drapery corresponding to a famous and often illustrated scene in ''Paul et Virginie'':

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